Sculpture For Sale - Price Range: $1000 - $5000

Page 2 of 32
Discover 922 original sculpture artworks for sale between $1000 - $5000. Contemporary emerging artists: Paul Machalaba, Austen Pinkerton, Bob Dornberg, Ted Schaal, James Johnson, Andrew Wielawski, Robin Antar, Eric Jacobson, Plamen Yordanov, Jacques Malo, Micha Nussinov, Michael Pickett, Ildiko Toth are exhibiting their affordable original art. You can buy artwork online and browse 32 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Austen Pinkerton: 'aeolus of the four winds', 2020 Stone Sculpture, Mythology. Started this sculpture early this year, but have been working on and off on other pieces, so made slow progress. Think I ve finished it at last.  Aeolus, of the Four Winds , Limestone, 20 x 28 x 23cm high. Apart from a very rough test piece years ago, my first ...
Mythology - Sculpture
28 x 23 cm (11.0 x 9.1 inches)
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Bob Dornberg: 'blade', 2020 Steel Sculpture, Abstract. Abstract Steel Sculpture...
, 2020
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Bob Dornberg: 'flag', 2020 Steel Sculpture, Abstract. welded steel sculpture...
, 2020
Abstract - Sculpture
12 x 10 inches (30.5 x 25.4 cm)
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Bob Dornberg: 'pipe', 2020 Steel Sculpture, Abstract. Abstract steel...
, 2020
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Ted Schaal: 'accretion', 2020 Mixed Media Sculpture, Abstract. This piece is steel, copper, wood and gold leaf.  The disk is suspended 3 4above the wood which is stained black.  The gold in the center is on the wood and the hammered copper wires are suspended.  the frame is 1 1 2steel angle. ...
, 2020
Abstract - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
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James Johnson: 'deject  Selected as Best in show', 2020 Bronze Sculpture, Figurative. Free shipping within the continental USA.  Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition Abandoned and alone on an emotion island, nothing above, nothing below.  Create in bronze and polished to a mirror finish. ...
Figurative - Sculpture
4 x 2 inches (10.2 x 5.1 cm)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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Paul Machalaba: 'Trilithium', 2015 Aluminum Sculpture, Abstract. Abstract, shiny, aluminum, cubes, welded, minimal contact. ...
, 2015
Abstract - Sculpture
3 x 6 feet (0.91 x 1.83 m)
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Robin Antar: 'decorative bowl fluorite', 2015 Stone Sculpture, Undecided. a decorative bowl...
Undecided - Sculpture
13 x 3 inches (33.0 x 7.6 cm)
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Robin Antar: 'flight', 2015 Stone Sculpture, Abstract. onyx, abstract, energy...
, 2015
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Robin Antar: 'conversations 2', 2009 Stone Sculpture, Abstract Figurative. conversations, onyx, alabaster, figures, talking...
Abstract Figurative - Sculpture
16 x 12 inches (40.6 x 30.5 cm)
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Robin Antar: 'the thinker 2', 2010 Stone Sculpture, Abstract Figurative. carved out to picasso marble, thinker, person, thinking, expression...
Abstract Figurative - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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Ted Schaal: 'small dropsy', 2016 Mixed Media Sculpture, Abstract. Cast bronze and hand polished stainless steel contemporary abstract sculpture...
Abstract - Sculpture
13 x 21 inches (33.0 x 53.3 cm)
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Eric Jacobson: 'cause and effect detail 3', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail 2', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect', 2017 Other Sculpture, Abstract. Constructed sculpture depicting man s impact on our changing climate. ...
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Bob Dornberg: 'AIM  copyright', 2016 Steel Sculpture, Abstract.  FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space.    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Plamen Yordanov: 'Right Angle Mobius Strip', 2009 Steel Sculpture, Abstract.  Materials: soldered steel, patina, wax....
Abstract - Sculpture
18 x 11 inches (45.7 x 27.9 cm)
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Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Andrew Wielawski: 'Mermaid and Fisherman', 2007 Bronze Sculpture, Abstract Figurative.  In this piece, I'm going more for movement than for detail, as you can see from the lack of definition of the features. Color is used as well as the positioning of the figures, to try to create an harmonious composition. ...
Abstract Figurative - Sculpture
14 x 9 inches (35.6 x 22.9 cm)
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Michael Pickett: 'Angel Corner Wall Hanging', 2006 Other Sculpture, Inspirational.  I have this statue on exhibit at the Applegate Arts Guild in Veneta, Oregon ( USA) .I don't remember the details of this work, like the size and height or price. if you give them a call they can give you that information. 1- ( 541) - 935- 4286 ...
Inspirational - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Micha Nussinov: 'Flying machine', 2007 Mixed Media Sculpture, Flight.
Flight - Sculpture
220 x 89 cm (86.6 x 35.0 inches)
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Micha Nussinov: 'Wobbly', 2004 Mixed Media Sculpture, undecided. An whimsical three leg figure  Made mainly from assembled recycled materials:Wood, a white paint bucket, copper electric wires, light fixtures, strips of curtain, , speaker, and circular plastic sheet ( hat) . To give the piece an organic feel Nussinov sculpted with plaster of paris, cotton bands and tissue papers. Connected to ...
, 2004
undecided - Sculpture
90 x 170 cm (35.4 x 66.9 inches)
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Andrew Wielawski: 'View through a Window 2', 2001 Mixed Media Sculpture, nudes. What do you see when you put your face into the mask? Just her face, like the other sculpture on this theme. Voyeurism. The real voyeur is the one who doesn' t wear the mask....
nudes - Sculpture
2 x 2 feet (0.61 x 0.61 m)
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Ildiko Toth: 'Glowing Firebird', 1998 Ceramic Sculpture, Fantasy. . . . and the dance continue. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Installation5', 1994 Ceramic Sculpture, Architecture. Lighting Unit for Powder Room Pair...
Architecture - Sculpture
12 x 23 inches (30.5 x 58.4 cm)
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Ildiko Toth: 'Malaga Installation3', 1994 Ceramic Sculpture, Architecture. Wet wall for Powder Room...
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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(Page 2 of 32) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Paul Machalaba - Paul Machalaba is a cutting edge artist specializing in large welded aluminum sculptures with a contemporary cast look. His pieces can be found coast to coast in private estates and in city centers at prominent corporate locations. Growing up in rural Vermont, but spending years in Florida, he is now well known for bringing a youthful fresh style to the northeast. Working from his studio in laid back Woodstock VT, he strives to find the perfect balance of motion and rigidity in a unique blend of sleek calligraphy inspired works with zero visable welds. His portfolio has a wide variety of styles that show a broad range of inspiration in different series, yet are easily identifiable as being from the same artist. He has been quoted as saying I love to explore different styles, from elegant to abstract graffiti. So many artists either have many different variations of designs that look the same, or no consistency. I feel that its the same with many rock bands on the radio. Some bands songs all kind of sound the same, but the legendary bands have a deep rooted consistency, yet every song is a completely new experience. I want all of my ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...