Sculpture For Sale - Price Range: $1000 - $1999

Page 2 of 12
Discover 337 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Gunnel Watkins, Suzanne Benton, Stan Harmon, Vladimiras Nikonovas, John Searles, Scott Mohr, Marcin Biesek, Marty Scheinberg, Berthold Neutze, George Transcender, Lars Berg, Bozena Happach, Don Dougan, Ali Gallo, Lou Lalli are exhibiting their affordable original art. You can buy artwork online and browse 12 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Sculpture Categories / Sculpture / Previous / Next
Suzanne Benton: 'Rachel, copper coated steel mask', 1989 Mixed Media Sculpture, undecided.  Metal mask, steel, copper coat           ...
undecided - Sculpture
15 x 12 inches (38.1 x 30.5 cm)
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Stan Harmon: 'Glass Stingray', 2014 Glass Sculpture, nature.  Kiln formed glass with copper and bronze tail. Can be displayed on wall or hanging from ceiling upside down or as part of a mobile with multiple stingrays. Comes in 3 sizes.   Fused Glass, copper, bronze, steel   ...
nature - Sculpture
30 x 6 inches (76.2 x 15.2 cm)
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Vladimiras Nikonovas: 'Trojan', 2014 Mixed Media Sculpture, Animals.             sculpture made from old metal parts on wood board                              ...
, 2014
Animals - Sculpture
60 x 56 cm (23.6 x 22.0 inches)
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John Searles: 'Undulated Copper Wavy Weaving', 2013 Other Sculpture, Beauty.   Copper strips are cut into wavy patterns, woven together, undulated then mounted on a rigid backing and flame colored. This wall art weaving is sealed with lacquer. ...
Beauty - Sculpture
36 x 16 inches (91.4 x 40.6 cm)
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Scott Mohr: 'Gemini', 1979 Bronze Sculpture, Figurative.  My mother was a Genini and inspired this sculpture. The enigmatic twins ...
, 1979
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
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Scott Mohr: 'Duprass', 1996 Stone Sculpture, Figurative.  Original alabaster carving. The name comes from K. Vonnegut's
, 1996
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Karass', 1995 Bronze Sculpture, Figurative.  The name comes from K. Vonnegut's
, 1995
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Kundalini', 1996 Stone Sculpture, Figurative.  It's al about here back, the original stone before I started carving had this spinelike curve I just brought out the rest of the figure, I just got out of the way and let her come out!    ...
, 1996
Figurative - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Scott Mohr: 'Through the Veil', 2004 Bronze Sculpture, Figurative.  From an original alabaster carving this copy in bronze expresses the desire to connect to the other side to find our true self our higher being  ...
Figurative - Sculpture
10 x 24 inches (25.4 x 61.0 cm)
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Marcin Biesek: 'Non Finite', 2011 Stone Sculpture, nudes. ItaEURtms a marble sculpture, perposly unfinished. .  I like to keep the sculpture unfinished.  To keep the record of the track of aEURoeNature and ManaEUR.  Raw stone carved by the Nature and figure carved by Man - myself.  The figure appears just to move in the stone.  The figure normally is ...
, 2011
nudes - Sculpture
9 x 31 cm (3.5 x 12.2 inches)
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Marcin Biesek: 'Seated Figure', 2011 Stone Sculpture, nudes. Artwork is my reflection on feminism.  I tried to bring the struggles of contemporary women. ...
nudes - Sculpture
7 x 15 cm (2.8 x 5.9 inches)
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Marcin Biesek: 'Taking Shower', 2011 Stone Sculpture, nudes. Sculpture was inspired by artist Edgar Degas aEURoeAfter the Bath, Woman drying herselfaEUR.  The series depict women dancing or bathing, some showing women in awkward unnatural positions.  Degas, speaking about these works, said, he intended to create a feeling in the viewer as if you looked through a keyhole.My ...
nudes - Sculpture
15 x 30 cm (5.9 x 11.8 inches)
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Marcin Biesek: 'Seated Figure', 2011 Stone Sculpture, nudes.  I saw many reclining and seated figures created by Henry Moore.  I find them very inspiring.Uncovering what is hidden in the stone is the most challenging part.  I am a big fan of direct carving.  It gives me a lot of freedom and allows to follow my natural instincts...
nudes - Sculpture
15 x 14 cm (5.9 x 5.5 inches)
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Marty Scheinberg: 'Tush', 2002 Stone Sculpture, Abstract Figurative.   A rosy pink alabaster lower torso on a black granite base.  ...
, 2002
Abstract Figurative - Sculpture
12 x 17 inches (30.5 x 43.2 cm)
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Marty Scheinberg: 'Innocence', 2013 Stone Sculpture, Abstract Figurative.  Cabarra Italian Marble - White/ Grey/ Black   ...
, 2013
Abstract Figurative - Sculpture
5 x 14 inches (12.7 x 35.6 cm)
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Berthold Neutze: 'Scents of the Seven Senses', 2012 Wood Sculpture, Abstract.               beechwood, oiled, 2012             ...
Abstract - Sculpture
43 x 30 cm (16.9 x 11.8 inches)
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Berthold Neutze: 'Rhythms of Frost', 2012 Wood Sculpture, Abstract.              beechwood, oiled, 2012            ...
Abstract - Sculpture
27 x 40 cm (10.6 x 15.7 inches)
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George Transcender: 'sorrow  1', 1989 Other Sculpture, Representational. sorrow  1 - 1989the single tear, telling the weight within its singularity, blood from a stone. . . . ...
, 1989
Representational - Sculpture
12 x 21 inches (30.5 x 53.3 cm)
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Lars Berg: 'Complete', 2012 Wood Sculpture, Gestalt.
, 2012
Gestalt - Sculpture
30 x 12 cm (11.8 x 4.7 inches)
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Bozena Happach: 'Sunset', 2008 Bronze Sculpture, Figurative.  bronze, figurative, earth, child, expression ...
, 2008
Figurative - Sculpture
9 x 6 inches (22.9 x 15.2 cm)
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Don Dougan: 'THE FUTURE SWEEPS: RED TINT', 2007 Mixed Media Sculpture, Technology. Indiana limestone, Georgia marble, circuit board, aluminum, stainless steel, stoneware, glass, acrylic, graphite, pigmentDone for an exhibit called the 'History of the Future,' this wall piece is made of limestone, computer circuit board, marble, aluuminum, stainless steel,  glass, and pigment.  ...
Technology - Sculpture
13 x 17 inches (33.0 x 43.2 cm)
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Don Dougan: 'THAT WAS MY FAVORITE COLOR', 2007 Mixed Media Sculpture, Abstract Figurative. Irish slate,  white stoneware, amazonite, Spanish black marble, glass  ...
Abstract Figurative - Sculpture
10 x 7 inches (25.4 x 17.8 cm)
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Don Dougan: 'THROUGH A GLASS DARKLY', 2010 Mixed Media Sculpture, Abstract Figurative. cast iron, embedded glass, illumination ...
Abstract Figurative - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Ali Gallo: 'dragon ship', 2011 Steel Sculpture, Abstract.  welded steel    ...
Abstract - Sculpture
16 x 28 inches (40.6 x 71.1 cm)
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Ali Gallo: 'cross road', 2011 Steel Sculpture, Abstract.    welded steel   ...
, 2011
Abstract - Sculpture
18 x 33 inches (45.7 x 83.8 cm)
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Ali Gallo: 'african warrior', 2011 Steel Sculpture, Abstract.   welded steel  ...
Abstract - Sculpture
12 x 52 inches (30.5 x 132.1 cm)
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Lou Lalli: 'Feed Me III', 2009 Stone Sculpture, Figurative.    Limestone      ...
Figurative - Sculpture
10 x 18 inches (25.4 x 45.7 cm)
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Lou Lalli: 'Red Bull II', 2008 Stone Sculpture, Figurative.       Persian travertine     ...
Figurative - Sculpture
15 x 9 inches (38.1 x 22.9 cm)
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Lou Lalli: 'Red Bull I', 2008 Stone Sculpture, Figurative.      Persian travertine    ...
, 2008
Figurative - Sculpture
15 x 9 inches (38.1 x 22.9 cm)
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Lou Lalli: 'Paleovenus I', 2007 Stone Sculpture, Figurative.     Persian travertine   ...
Figurative - Sculpture
5 x 15 inches (12.7 x 38.1 cm)
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(Page 2 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

    Gunnel Watkins - Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...

    John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

    Marcin Biesek - Where art meets nature, and nature meets technology and politics, this is where I appear. In my work, I take up issues related to politics and show how it affects our society and our lives. I create artworks in which I show the impact of technology and human activity on the natural environment as well as contemporary problems and politics. I like complex topics, with deep political or social content. I believe that through art I can have a real influence on society our lifestyle, the living urban and rural spaces, the masses, including our small local communities, unravelling humanity through new lenses living in a technological and digital era. Education MFA in Fine Art Education Academy of Fine Arts in Gdansk - GdaA,,sk, Poland October 2005 to July 2007 BFA in Fine Art Education Academy of Fine Arts in Gdansk - GdaA,,sk, Poland October 2002 to June 2005 ...

    Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

    Berthold Neutze - Bozena Happach - My sculptures illustrate the complexity and beauty of human form in two and three-dimensional compositions. I intend to demonstrate the depth as well as the foibles of the human endeavor, along the journey of both physical and spiritual evolution. ...

    Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

    Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....

    Lou Lalli - The shaping and use of stone is a vital part of the human endeavor. The fashioning of tools and implements by stone age peoples, the votive Venus figures of the Neolithic period, cycladic sculpture of the eighth millennium BC, classical sculpture of Greece and Egypt and all the sculpture to the present indicates that stone sculpture is intrinsic to human expression. Sculpting in stone directly links me to the people of the past. The subject and ideas I choose are derived from the past thus strengthening that link. The resolutions of the technical problems are the same that sculptors in the past confronted and solved. Although modern tools and implements facilitate my work I am still doing what all sculptors and stone carvers have done in the past; chipping, abrading and polishing the stone to release the form contained therein. My ideas and subjects are borrowed from antiquity with each piece telling a story. Antiquity provides a wealth of resources for my work; warriors, the myths, Venus figures, beasts, demigods and shaman/priests are the subjects I appropriate. In executing an idea, the importance of light and shadow, through the use of negative space is a primary concern in the ...