Artists Describing Their Art:
Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...
Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...
Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...
Steve Kiene - My art expresses fundamental cosmological and spiritual concepts such as the balances in nature, regeneration and growth, and the interdependence of all things. I want to express how man & nature are interconnected. In today's modern culture, many have forgotten, that all things, living and inert, have a part in our relationship with life itself. The tree branch carvings illustrate how man is just a branch of the larger organic cosmos. Where Man and Nature become one....
Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...
Dermot O'Brien - Over the past fifteen years i have developed my own very unique art form working with wood and light. Using light as an added dimension to highlight the spaces between the wood a new sculpture is created. The sculptures always consist of several shapes the light exploring and defining the relationship between the bodies....
Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....