Original Paintings For Sale

Page 11 of 1023
Valda Fitzpatrick, Dr. Muberra Bulbul, Marino Chanlatte, Rhoda Taylor, Jose Freitascruz, Suzanne Mcclelland, Kristin Garrow, John Powell, Azhar Shemdin, Emilio Merlina, Philip Hallawell, Grace Auyeung, William Christopherson offering original Original Paintings artworks.


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Dr. Muberra Bulbul: 'My Gauguin ', 2019 Acrylic Painting, Abstract Figurative. Mix technical on canvas, collage and aycrilic, lavi...
Abstract Figurative - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Dr. Muberra Bulbul: 'Natural ', 2019 Acrylic Painting, Abstract. Mix technical on canvas...
, 2019
Abstract - Painting
35 x 50 cm (13.8 x 19.7 inches)
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Dr. Muberra Bulbul: 'Nude man', 2019 Other Painting, Abstract Figurative. Acrylic, mix media, mix technical on canvas...
, 2019
Abstract Figurative - Painting
1 x 40 cm (0.4 x 15.7 inches)
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Marino Chanlatte: 'the dream', 2019 Oil Painting, Abstract. The Dream, retaking the abstract figure in new setting and meaning.Canvas edge 1. 5 depth, painted to match. Ready to hang.Abstract figurative...
, 2019
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Dr. Muberra Bulbul: 'starting', 2018 Other Painting, Abstract. Mix technical on canvas, acrylic, verious materials...
, 2018
Abstract - Painting
35 x 50 cm (13.8 x 19.7 inches)
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Rhoda Taylor: 'suggestion of winter', 2019 Other Painting, Fantasy. Winter Thoghts...
Fantasy - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Jose Freitascruz: 'cerrado 04', 2019 Acrylic Painting, Abstract Landscape. contemporary art, brazil, cerrado, savannah...
, 2019
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Marino Chanlatte: 'water lilies 14', 2019 Oil Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Ready to hang. ...
Abstract - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Suzanne Mcclelland: 'lollipop', 2019 Acrylic Painting, Abstract. Acrylic pouring that has lots of movement  Happy colors to brighten up your day ...
, 2019
Abstract - Painting
12.9 x 12 inches (32.8 x 30.5 cm)
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Kristin  Garrow: 'fun in the rain', 2019 Acrylic Painting, Abstract. Exploring the feeling of playing in the rain ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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John Powell: 'Passage of Time', 2001 Acrylic Painting, Figurative. It was inspired by the rural scenery of a family washing this piece was originally intended for oil on canvas size 48x36 but i just did an acrylic just to test out the composition will painting the canvas in time.  Prints are available just email me. ...
Figurative - Painting
22 x 16 inches (55.9 x 40.6 cm)
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Azhar Shemdin: 'active landscape', 2017 Acrylic Painting, Abstract Landscape. Exciting and gorgeous painting on Canvas pad thick paper. Original painting. ...
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Emilio Merlina: 'dreams in black and white', 2019 Acrylic Painting, Fantasy. on cardboard panel...
Fantasy - Painting
99 x 99 cm (39.0 x 39.0 inches)
Emilio Merlina: 'the mooring', 2018 Oil Painting, Fantasy. on laminated panel...
Fantasy - Painting
51 x 26 cm (20.1 x 10.2 inches)
Emilio Merlina: 'the source', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
90 x 20 cm (35.4 x 7.9 inches)
Emilio Merlina: 'the swing', 2018 Acrylic Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
143 x 13 cm (56.3 x 5.1 inches)
Philip Hallawell: 'behold the lilies of the field', 2002 Oil Painting, Spiritual. Inspired by the sermon on the mount...
Spiritual - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Kristin  Garrow: 'fire spirit', 2015 Acrylic Painting, Abstract Figurative. Get lost in the orange, yellow, and red combinations and take in the spirit that lies within the flames.  Peaceful and proud. ...
Abstract Figurative - Painting
25 x 25 inches (63.5 x 63.5 cm)
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Kristin  Garrow: 'spheres', 2010 Acrylic Painting, Abstract. A series of circles and splashed paint take you on a journey to explore the piece one side shadowed to enhance the painting...
, 2010
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Kristin  Garrow: 'hope', 2016 Acrylic Painting, Abstract. a hopeful work of colors mingling giving feelings of positivity...
, 2016
Abstract - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Jose Freitascruz: 'cerrado ex brasil n38', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
16 x 16 cm (6.3 x 6.3 inches)
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Jose Freitascruz: 'cerrado ex brasil n33', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
13 x 13 cm (5.1 x 5.1 inches)
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Jose Freitascruz: 'cerrado ex brasil n32', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
16 x 16 cm (6.3 x 6.3 inches)
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Grace Auyeung: 'land of rivers 1', 2011 Other Painting, Abstract Landscape. LAND OF RIVERS depicts the main substance, the abundance and beauty of Nature on which human existence rely on. ...
Abstract Landscape - Painting
61 x 79 cm (24.0 x 31.1 inches)
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Grace Auyeung: 'retreat', 2012 Other Painting, Landscape. MENTAL PORTRAYAL OF A LANDSCAPE DEPICTING A MONASTERY, A SPIRITUAL SYMBOL FOR THE MUNDANE  CHINESE INK, COLOUR ON XUAN PAPER...
, 2012
Landscape - Painting
69 x 138 cm (27.2 x 54.3 inches)
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Grace Auyeung: 'canyonscape 2', 2017 Other Painting, Landscape. MENTAL PROTRAYAL OF CANYON LANDSCAPE WITH ENSUEING BEAUTY AND TRANQUILITY...
Landscape - Painting
69 x 138 cm (27.2 x 54.3 inches)
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Grace Auyeung: 'canyonscape 1', 2017 Other Painting, Landscape. MENTAL PROTRAYAL OF LANDSCAPE OF CANYONS, THE BEAUTY AND TRANQUILITY  CHINESE INK, WATER COLOUR ON XUAN PAPER...
Landscape - Painting
69 x 138 cm (27.2 x 54.3 inches)
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William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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William Christopherson: 'sisters island lighthouse', 2018 Oil Painting, Landscape. Original oil artwork on stretched canvas from the St.  Lawrence River, 4 miles north of Alexandria Bay, in the Thousand Islands.  Historic lighthouse on the US- Canadian international boundary.  Completed in broad- brush oil stroke technique.  Professionally framed in beechwood, wall ready. ...
Landscape - Painting
26 x 14 inches (66.0 x 35.6 cm)
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Carlos Camus: 'alhue', 2016 Oil Painting, Cityscape. Pintura original de ArtistaCarlos Camus...
, 2016
Cityscape - Painting
4 x 14.8 inches (10.2 x 37.6 cm)
(Page 11 of 1023) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Valda Fitzpatrick - In earlier years, my dream was to become a doctor, or an artist, unfortunately I was unable to tolerate the site of blood. In order to save the patents , I made a wise decision to study art . I love every aspect of art and explore with all medias. my favorite is the French artist Monet, who was my inspiration with his incredible impressionistic style which I love to paint with oils. For a change , designing contemporary art with paper, ,interesting found objects to let my imagination go. When I am in my large studio I am in heaven. When I was still a student , I went to many art shows and did commissions. Which I financed 1 000 percent of my college expenses, and my own studios , which my husband build through the sale of my art work, a career experience that demonstrates the great practical worth of art studies and education. EDUCATION The Ohio State University , master of Arts, Supervision and Education Administration, December 1986 . The Ohio State University, Bachelor of art Education , August 1980 . The Ohio State University, Bachelor of Fine Arts, Painting And Drawing, June 1978. I further followed up my education at the Columbus of Art ...

    Dr. Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...