Encaustic Paintings

Page 1 of 6
Romeo Dobrota, William Dick, Mike Wong Joon Fong, Phillip Flockhart, Bridget Busutil, Antoaneta Hillman, Kohlene Hendrickson, Richard Wynne, Margaret Stone, Annette Kearney, Birgit Huttemann Holz offering original Encaustic Paintings artworks. Encaustic painting is also known as hot was painting that involves using beeswax that is heated and then colored pigments are added. This mixture of liquid paste is then applied to surfaces such as wood and often canvas as well. The famous mummy portraits from Egypt around 100-300AD as well as early icons used encaustic paint. In modern times famous artists such as Jasper John, Mark Perlman, also used this type of paint. Many Bauhaus artists in German used the "Punic Wax" technique.


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Romeo Dobrota: 'number 6 sku 2002', 2018 Encaustic Painting, . The number 6 is the number of domestic happiness, harmony and stability, which is unique from one family to another.  In terms of karma, the number 6 is one of the most common root numbers to carry a karmic lesson. ...
- Painting
48 x 32 inches (121.9 x 81.3 cm)
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Romeo Dobrota: 'cosmic vibration 2023', 2021 Encaustic Painting, Cosmic. In yoga and other spiritual traditions , itaEURtms believed that there is one universal cosmic intelligent vibration.  That vibration is articulated through the sound OM, or AUM.  ItaEURtms also expressed in the form of light, therefore, light, as well as sound, have the infinite potential to heal, transform, and ...
Cosmic - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Romeo Dobrota: 'the panoramic night 2008', 2021 Encaustic Painting, Seascape. Panoramas featuring the arch of the Milky Way have become the icons of dark sky locations. aEURoePanosaEUR can be easy to shoot, but stitching them together can present challenges.  Here are my tips and techniques. ...
Seascape - Painting
48 x 32 inches (121.9 x 81.3 cm)
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William Dick: 'LINN', 2015 Encaustic Painting, Abstract.                                                 Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'YALLAE I', 2015 Encaustic Painting, Abstract.                                            Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'YALLAE II', 2015 Encaustic Painting, Abstract.                                          Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'YALLAE III', 2015 Encaustic Painting, Abstract.                                        Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Mike Wong Joon Fong: 'last dance', 2013 Encaustic Painting, Abstract.
, 2013
Abstract - Painting
40 x 40 cm (15.7 x 15.7 inches)
Phillip Flockhart: 'Ochre 1 Storming the Citadel ', 2008 Encaustic Painting, Gestalt. Full Title . . .  Ochre 1 Storming the Citadel with Robert Motherwell . . .Mixed media on Found material.  SOLD Signed, numbered and dated A4Print only Limited Edition of 100...
Gestalt - Painting
11 x 12 inches (27.9 x 30.5 cm)
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Bridget Busutil: 'moonlight', 2015 Encaustic Painting, Abstract Landscape. Moonlight...
, 2015
Abstract Landscape - Painting
70 x 50 inches (177.8 x 127.0 cm)
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Antoaneta Hillman: 'Embrasement', 2012 Encaustic Painting, Abstract.                        encaustic, painting, withe, abstract,            minimalistic, black, white, encaustic, people,     black, white, encaustic , minimalistic, abstract     ...
Abstract - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Antoaneta Hillman: 'Black and white conversation 2', 2012 Encaustic Painting, Abstract.                       encaustic, painting, withe, abstract,                 black, white, encaustic , minimalistic    ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Antoaneta Hillman: 'Black and white conversation', 2012 Encaustic Painting, Abstract.                      encaustic, painting, withe, abstract,                    ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Kohlene Hendrickson: 'DeLight', 2012 Encaustic Painting, Figurative.     , expressive, figurative, fresco, abstract figuration    ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
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Kohlene Hendrickson: 'Awakening', 2012 Encaustic Painting, Figurative.    , expressive, figurative, fresco, abstract figuration   ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
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Richard Wynne: 'The Face I show', 2011 Encaustic Painting, Abstract Figurative.    encaustic_ portrait_ abstract_ colorful_ sickness_ cancer       ...
Abstract Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Richard Wynne: 'Last night they bombed the village', 2011 Encaustic Painting, Abstract Landscape.  encaustic_ landscape_ abstract_ townscape_ war     ...
Abstract Landscape - Painting
14 x 12 inches (35.6 x 30.5 cm)
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Antoaneta Hillman: 'Gost wish', 2011 Encaustic Painting, Abstract.                    encoustic, painting, withe, gold leaf, blue, violet                  ...
, 2011
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Antoaneta Hillman: 'Different', 2011 Encaustic Painting, Abstract.           encoustic, painting, pink, spiritual, energy         ...
, 2011
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Antoaneta Hillman: 'Breath Pink 1', 2010 Encaustic Painting, Abstract.      encoustic, painting,    ...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Antoaneta Hillman: 'Balancing Freedom', 2010 Encaustic Painting, Abstract.         encoustic, painting,       ...
Abstract - Painting
35 x 35 inches (88.9 x 88.9 cm)
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Margaret Stone: 'Kokopelli And The Mask of Gold', 2014 Encaustic Painting, Abstract Figurative. Kokopelli is to the left in this painting, and in myth dates back 3000 years.  He was the harbinger of fertility relating to marriage and agriculture.  His flute playing chased away winter and brought about spring.  He was also considered a trickster, for what reason I do not know.  The ...
Abstract Figurative - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Annette Kearney: 'Untitled 5', 2011 Encaustic Painting, Abstract.      encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks     ...
, 2011
Abstract - Painting
14 x 14 inches (35.6 x 35.6 cm)
Annette Kearney: 'Untitled 4', 2011 Encaustic Painting, Abstract.     encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks    ...
, 2011
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
Annette Kearney: 'Untitled 3', 2011 Encaustic Painting, Abstract.    encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks   ...
, 2011
Abstract - Painting
18 x 12 inches (45.7 x 30.5 cm)
Annette Kearney: 'Untitled 2', 2010 Encaustic Painting, Abstract.   encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks  ...
, 2010
Abstract - Painting
18 x 12 inches (45.7 x 30.5 cm)
Annette Kearney: 'untitled 1', 2010 Encaustic Painting, Abstract.  encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks ...
, 2010
Abstract - Painting
18 x 12 inches (45.7 x 30.5 cm)
Birgit Huttemann Holz: 'Sleep on', 2009 Encaustic Painting, Abstract Landscape.  beeswax, pigments, fire encaustic landscape...
, 2009
Abstract Landscape - Painting
80 x 80 cm (31.5 x 31.5 inches)
Birgit Huttemann Holz: 'Serenity', 2009 Encaustic Painting, Abstract Figurative.  beeswax, pigments, fire ...
, 2009
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
Denise Derviche: 'escada01', 2008 Encaustic Painting, Abstract Figurative.
, 2008
Abstract Figurative - Painting
80 x 120 cm (31.5 x 47.2 inches)
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(Page 1 of 6) - MORE ARTWORKS

Artists Describing Their Art:

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...

Mike Wong Joon Fong - i?1/2In many of my works, paint is the art itself rather than the paint that created the art. Thus paint is used like an actor, a prop, and the canvas is used like a stage. Paint has a physical entity of its own. Paint has its own personality. I am here to facilitate and to engineer the process. Each piece of my work is a conversation of that process and each process is a conversation of my life experiences and each conversation is about life manifestation. I think and see life in recursive forms, paradoxical codes within the complex structures. My approach is to minimize them into the simplest possible minimum. It has to be fast, almost instantaneous so that the intention is captured in its possible true sense. Spontaneity is spiritual. It is mysterious, unpredictable and always explorative and experimental. Can spontaneous notion be engineered Spontaneity is almost exclusive to humans. I may be wrong but no all-knowing and higher beings can have this experience.i?1/2 ...

Phillip Flockhart - STATEMENT After 50 years of image making, journeying through the Da Da, Constructivist, and Minimalist Schools 1970s-1980s I find that my work and my beliefs put me firmly in The School of Expressionism, although my continued belief in the work of Carl Jung, especially his Catalytic Exteriorisation Phenomenon adds another layer of understanding to the traditional Expressionists and places it somewhere more in the Spiritual. My art philosophy formulated over many years practice is actually always present in the content of my work, although themes come and go and reflect other areas of my life and which are influenced by the work of great artists like Kazimir Malevich, Vladimir Tatlin, Juan Gris, Kurt Switters , Marc Chagall, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Joseph Beuys the themes of my art, if examined retain the content of my work which has remained as it has for 35 years now the attempt to disseminate the picture plane to see through and beyond, with colour, real time space, Collage Relief, imagery or optical device, multi point perspective and opto-kinetism, to reveal the truth that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings ...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

Antoaneta Hillman - Whatever lies beneath my desire to paint, I am thankful that it exists and gives my life direction. LeonardoOs words, that painting is a poetry that is seen rather than heart, are reflected in my attitude towards painting. I put the continuity of the idea, the new image of form and the transformation of reality in to a new world at the start of every work. Shagall, Van Gogh, Dali and Klimt, are the artists that have a major influence on me. I can say that admiration of the great artists is the first step on the road to art. To me, people who understand and enjoy art are blessed to be a part of an artistOs happines and sorrow, to share his ideas and thoughts. I am saving my dreams on canvas for them. When these dreams become paintings they donOt belong to me anymore. They are my messengers. To find the poetry, decode the color. ...

Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

Annette Kearney - I am a painter and a painter ceramist. My paintings are abstract and are currently in encaustics and mixed media. My work in ceramics involves handpainted tile and tile mosaics in both majolica glazes and underglazes. My tile installations are used by both residential and architectural clients throughout the United States. ...

Birgit Huttemann Holz - For me the art of encaustic is the scent of memories and dreams, sweet and eternal. I paint with beeswax mixed with pigments, fuse each layer with fire (blowtorch), even paint sometimes with the destroying hungry flame. I love the physical impact of the blowtorch, the evolving mountains and valleys, possibilities, lost designs in the mixing and melting beeswax. The inner voice - fire is literally the tool. The use of the razorblade is thoughtful, thorough, controlled. Scratching away the layers, to get to the truth of a feeling, to reveal, to find the history of a painting is my greatest joy. Encaustic is known as one of the most difficult mediums to work with. It is constant loss and restauration. It opens routes of seeing you would have never guessed. The beauty of an encaustic paintings lies in its luminosity, transparent layers let you see through the surface- and you bounce back with light and awe. -of an illiterate poet. ...