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Wednesday, November 26th

Sacrifice for Cezanne



The Art Gallery of New South Wales in Sydney, Australia is selling two major works by two Australian artists from it’s collection to raise the remaining funds needed to purchase a painting by Cezanne titled Bords De La Marne. Director of the Art Gallery of New South Wales, Edmund Capon, is the driving force behind the purchase of the work for AUD$16.2 million from a Swiss private collection which will be the most expensive work ever purchase by a gallery in Australia. Having committed to purchasing the work without having all the funds available, Capon and the gallery have had to do everything that they can to raise the extra funds in hurry and have been begging for donations at every opportunity.

The two works being sold to help fund the purchase are Balmoral by Brett Whiteley's and Pleasure Craft John Perceval's both of which are very important works by two of Australia’s most important artists. Apparently the benefactor who donated the pieces has given his blessing to the sale which is all very nice but what would the artist’s think and what would their opinion of the sale be if they were alive today?


Nicholas Forrest on 11.26.08 @ 05:18 PM EST [more..]


Monday, November 24th

SPREADING THE GOSPEL



As I sit here pondering the news that I got today, I can only think about how far I've come yet how much more work remains undone.

Have you ever tried to write and produce an illustrated art book for "everyday people" using your own resources on your own free time? If not, I can't say I recommend it unless you're possessed by some overpowering sense of mission. It certainly won't be for "the money."

But I digress. My new book, "THE ART OF EVERYDAY JOE: A COLLECTOR'S JOURNAL," has been honored with a National Best Books Award (Art Instructional Category). For me, this is simultaneously meaningless yet overwhelmingly meaningful. Let's face it, awards don't feed you, keep you warm at night or fill your gas tank. My book is the same exact book that it was BEFORE it won the award and I certainly haven't changed. However, maybe the art world will feel a tiny jolt. More on that in a moment.

Whenever I told people (which wasn't very often. I didn't want to bore anyone) that I was creating a series of illustrated, memoir-like books about my love of emerging art and artists, the responses didn't surprise me. I explained to people that the books would be targeted at people who don't know much about art and are intimidated by it or felt that they couldn't afford original art. I wanted to share my experiences and explain to readers that with art, like everything else in life, you've got to start somewhere. No one is born an expert. I'm hardly an authority, but I'm learning everyday. Everything begins with curiosity and desire. I wanted to try to bridge the gap between living, struggling artists and people who might become art collectors but were terrified by art. I think that most artists have absolutely NO IDEA how intimidated people are by them ... or perhaps some artists DO know this and it makes them feel big. Who knows?


Michael Corbin on 11.24.08 @ 07:44 AM EST [more..]


Monday, November 17th

Art Market Past and Present



If you believe that art auction results are the be all and end all of the art market and that art auction results tell the full story of the evolution of art prices then you should probably reconsider your point of view. What art auction results do reflect is an extremely narrow view of how art market participants are reacting to the various influences that affect what price people are willing to pay for a work of art at a very specific moment in time. Looking at the sale history of an artwork over a period of one or two years or for that matter even five years may not give enough information to be able to truly appreciate how the value of that artwork has evolved.


Nicholas Forrest on 11.17.08 @ 10:38 AM EST [more..]


Thursday, November 6th

Land Change: Art and the Environment.



In a pleasant change from reviews of other peoples work, I am very happy to be able to report on something of my own this month. At the end of October I took part in a panel discussion and exhibition in Abu Dhabi organised by the Abu Dhabi Authority of Culture and Heritage and the Goethe Institute.


The theme of the exhibition was land change, art and the environment and it featured 5 artists who work in some way with environmental issues. The main artist was German photographer Petra Petrick who showed a series of photographs called ‘German Desert’. The images are desolate, barren and beautiful just like real deserts but actually taken at the abandoned sites of former open cast coalmines in Germany.


Valerie Grove on 11.06.08 @ 11:10 AM EST [more..]