[Previous entry: "INTERVIEW WITH ARTIST SIGAL M. BUSSEL"] [Next entry: "The ABC of the CAPC"]
08/18/2008: "BLAME THE ECONOMY"
It's almost like slowing down to watch a car wreck ... you MUST see what's happening. This is the only way that I can describe my pseudo-fascination with the art market. Here's how it happens ...
I'm either flipping through the newspaper, watching television or surfing online and I come across something like ... "ARE RECESSION FEARS COOLING THE ART MARKET?" or "THE ECONOMY AND ITS CHILLING EFFECTS ON COLLECTORS." Suddenly, I slow myself down and settle in for closer examination. How can you NOT get caught up in the creative, editorial swirl?
It's funny, because I wanted to try to go to Art DC this year, but then I read that it was cancelled. That's a shame. This would've been only the second year for that fair. Why did organizers cancel it? They blamed the economy, of course.
Have you noticed that blaming the economy is the chic thing to do these days? Consumer confidence is way DOWN, inflation is way UP and what poor sap driving a pimped out S-U-V can explain gas prices? Many Americans have no real savings and we're living paycheck to paycheck ... that's if we still have our jobs. It's scary. Needless to say, blaming the economy for anything is pretty easy ... if not somewhat gratifying. You can get away with a lot by blaming the economy. If everyone's doing it, why not? Try these on for size:
"Why are you late again for work Bill?" "Oops, sorry boss! It's the economy!"
"Where's your homework assignment Sally?" "Sorry teacher! The economy ATE it!"
"Why were you speeding sir?" "Oh man! Sorry officer! The economy made me do it!"
Still, I must say that a couple of months ago, I was in the supermarket and I saw that tomatoes (organic) were like ... $3.99. Are you kidding me? All I could think was, "Are they super tomatoes that give you x-ray vision or super-sonic hearing?" That's why I planted my own. As of this writing, I have tomatoes growing out back. I'll plant 25 tomato plants before I pay that price.
When I'm not ranting over tomato prices, I'm flipping through these art magazines like Art & Auction and the weekend arts section of Financial Times (the orange newspaper that looks like it has been dunked in tomato sauce) where I often see articles that report on the art market. For the most part, these articles talk about record, multi-million dollar sales at contemporary art auctions. This is happening while fairs like Art DC have seemingly gone belly up and many collectors are tightening their wallets. These articles are so seductive. Of course, I usually stop and scan like a harried commuter who complains about traffic backups but always slows down to gaze and gawk at the car wreck. We live in a visual world. Art and the twisted metal of a car wreck ... same thing. Just ask artist John Chamberlin.
Anyway, after a few moments that I'll never get back, something always occurs to me. "Dude, you are NOT a wealthy art collector! Why do you even care about the art market?" I always ask myself. Again, it's like slowing down to see the car wreck. Why are you slowing down? Keep going. It doesn't really involve YOU.
At this point, I remind myself that it's the JOB of art publications to cover the art market because they are IN the art market. It's their lifeblood. It's in THEIR best interest to find silver linings in the worst of economic news. That's just the way it is.
So, while Art DC is blaming the economy and mid-level art collectors are blaming the economy, high-end art sales continue to soar ... thanks to wealthy collectors. They're keeping art afloat ... especially the Russian, Chinese and east Indian art markets. Wow. It must be tough being a rich bitch. In uncertain economic times, the world tugs HARD on your purse strings. Analysts depend on YOU to keep the whole economy afloat. If you don't spend, who will?
Which brings me to my point. It seems to me that the best time to buy art is like ... duh ... NOW. Everyone is blaming the economy for their poor financial performance and everyone needs money to survive. Maybe you can get some good deals. In some areas of the economy, it's a buyer's market. If you're an entry level or mid-range collector, perhaps you should shift your focus to include younger emerging artists. Perhaps you should focus on drawings on paper rather than canvas pieces. I don't know. Figure it out! Many of the artists I know don't even really follow the "art market" anyway. They're struggling in both the best and worst of times so it doesn't make much difference to them. We should NOT try to take advantage of them because they have to live just like everyone else. They should get the best possible prices for their hard work. However, perhaps you'll find them more affordable. You won't bust your budget, you'll be supporting talented, deserving artists and you'll keep money flowing in the economy. I'd like to keep doing this myself.
Okay, let's see. With the money I'm saving by growing my own tomatoes, I can buy a couple of works on paper from artist Miguel Angel Avila Melendez. Hmm. Here's my economic forecast. If the plants keep producing, I should be able to buy those drawings in 2019. Great!
MICHAEL CORBIN IS AN AVID ART COLLECTOR AND AUTHOR OF THE NEW BOOK, "THE ART OF EVERYDAY JOE: A COLLECTOR'S JOURNAL." CHECK IT OUT AT WWW.ARTMAESTROGALLERY.COM

















