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Home » Archives » November 2007 » Artists, Toot Your Horn – Tout de suite

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11/15/2007: "Artists, Toot Your Horn – Tout de suite" by Barney Davey


Artists are a unique breed in many regards. Whether visual, performing, recording or literary, in order for them to be successful there is an unspoken requirement they learn to talk objectively, passionately and eloquently about their work. Of course, some succeed at these things better than others. But, being able to do effectively is an enormous advantage.

Think about it. Most professionals would cringe at the thought of having to rehash in public, or in the media about their job performance. The vast majority of us work quietly at our jobs with only a few colleagues and even fewer managers having the foggiest notion of what we do, or how well we do it. Imagine if the output or result of your work was to be studied and commented upon by a range of people from those in the profession who might be able to help your career to those with no idea of what you do or how you do it, but who freely comment on whether they like it or not and why. And, that you have to grin and bear it as you hear sometimes dreadful uneducated comments about your work. On the bright side, there are those priceless compliments that balance the negative comments.



Artists either instinctively know or soon realize talking up and about the work is part and parcel of the successful art career. That is, to have one’s work be sold and appreciated, one has to put it in the public eye for display and dissemination. For those who abhor such activity, the Internet offers some respite. With its plethora of sites that offer art for viewing and sale, including Absolute Arts that continues to maintain one of the strongest positions in the dynamic market, the Web provides an additional degree of separation for artists from the vagaries of dealing directly with critics, collectors, galleries and gadfly browsers with short arms and deep trousers. But, making a career by selling online has its own problems.

Internet aside, part of the success quotient for being a known artist comes from the ability to confidently present the work in an accessible and compelling manner. It’s simple, if as an artist you don’t toot your horn, how will anyone everyone ever hear about or come to know you? Artists are for the most part entrepreneurs with at best a small staff to help them manage their business. And, when it comes down to it no one else can really explain an artist’s work the way the artist, the creator, can. Do this as well as you create and the things you measure for your success will improve.

Like most entrepreneurs, especially in the early going, there is too much to do and too little time to get things done. It’s easy to concentrate on the things that come easy at the cost of getting the things done that are equally important in the scheme of gaining awareness and sales. Collectors don’t fall from trees. They are found one at a time through exposure. Artists who understand that a foundation of collectors, galleries and dealers are like a brick wall built one brick at a time usually find success sooner and in greater depth than those who ignore the work necessary to build a solid foundation.

Being able to toot your horn is one of the best things an artist can learn to do. Besides the work, which is paramount, showing poise and confidence and being able to passionately articulate about the work is tremendously helpful. Poise and confidence are extremely attractive attributes. People naturally gravitate to those who exude such qualities. In enough abundance they arguably trump all but raw talent when it comes to forging an artist’s career.

One of the keys to success and confidence is having the ability to get enough things done on time that you are not living under constant stress. Here’s a suggestion for you. It’s a book titled, Getting Things Done: The Art of Stress-Free Productivity by David Allen. Amazon rankings change hourly, but when I looked at it just now the book ranked #1 in three separate categories on Amazon.com, which is an amazing feat:

#1 in Business & Investing > Business Life > Health & Stress
#1 in Health, Mind & Body > Self-Help > Self-Esteem
#1 in Health, Mind & Body > Mental Health

Out of more than 3 million books, the book ranks #65, which is nearly as amazing as the fact it has an astounding 359 reader reviews and still maintains a 4.5 out 5 review stars average. This is as much a testament as any you’ll find about one books ability to help people from all walks of life to get a handle on getting things done. Of course, the more you get done, the more confidence you have in your ability to achieve things.

All this passes along in your communication and your vibe with your customers. We are much more highly evolved at sensing things than we sometimes give ourselves credit for. Malcolm Gladwell explains that in his bestseller, Blink: The Power of Thinking without Thinking; another book that is #1 in three Amazon categories. While Blink is informative and interesting, Allen’s book is transformational. I commend it to you.

One of the things you can do as an artist with some of the time you’ll gain from Allen’s book is to put more effort into Tooting Your Horn. You don’t have to be outrageous and audacious in doing this. It has to come from within and be as natural as you can make it. You’ll find those who seem quiet and unassuming at first blush, but who reveal a surprising strength of will and assertion when it comes to furthering their career. And, you’ll find on the opposite spectrum the bold and brash, take no prisoners personalities who command attention in every situation.

Use some of your new found organizational skills to schedule time to promote your work, to improve and embellish your marketing, to generate more public relations activities and whatever else you can do to become better known. You can find several recent posts on my www.ArtPrintIssues.com blog that offer useful ideas on creative marketing for artists. They are diverse enough that just about any artist can find ideas and inspiration from among them.

Once you figure out what works for you and your personality let us and the world around you hear a beacon call rush forth from your horn, from your passion, from your desire. Toot sweet and loud - tout de suite.

Barney Davey
Scottsdale, Arizona

Replies: 10 Comments

on Wednesday, November 21st, olivier said

That blog make me think about Maurice Utrillo when one of his "gardian" expecting the visit of a potential buyer of Maumau's work has to lock him in a room playing with his electric train to avoid insult,cry even fight from the artist toward the candid collector. Put aside Vincent with his candles at night fix to his hat, he has a medical condition.
Yes what you said Barney is of Pablo regime and many others before and latter. But it always make me inconfortable when artist get to deep in thinking their work in public, and it rarely for me feel sincere and trustful. Many critics has kill themself in the eithies by being to much sellfish and pseudo litterant,. Am I wrong if I feel many artist does the same with this easy tool we use here these days?
The somewhere lost contemporary collector live in a world a suspicion and nothing is easier today to use this tool to check your post. If you had a great price or a big sale in the past and your last exhibit was not what expected in this great gallery: it is here now. On a different path look at the cotation of famous artist like Riopelle falling appart... every body knows why and it just spray arround and get deeper. What do I do if I buy a piece of art from an artist I am not so familiar with? I google his name like a detective and check if it worth the money the gallery claim.
I think artist should just be themself. It is ok to be agressive or whatever: but be honest, humble, tell the truth. It is nice to have this kind of conversation with anybody, perhaps a little bit more difficult to find in personalities a little bit screw up by a "neurotic" idea of cellebrities. Be yourself it will be fine

on Tuesday, November 20th, Aasiyaa said

Just passing by...and really like what i just read. Thanks. I am a medical doctor who paints...quite seriously lately.

on Sunday, November 18th, walt said

Yes, Painterofblue, something is odd. My post is in blue like a hyperlink. But it goes nowhere. Something is up.

on Sunday, November 18th, Painterofblue said

Interesting, my website didn't post in the previous comment. I guess I need practice at tooting my own horn!

on Sunday, November 18th, Painterofblue said

OK, I'm listening to your advice...
Toot:

on Sunday, November 18th, walt said

So Mr. Davis. I have a question. I assume you are taking a commission for sales. If the artists are doing all the art as well as the tooting why do they need you? What is it you add to the mix? What do you do for your...35% or is it 50%?

on Sunday, November 18th, J Arthur Davis said

Barney:
I represent over a dozen selling artists, and only three understand the tooting your own horn concept.

Most feel that their art should speak for itself and will sell itself on its own merits. That just does not happen.

I try and educate them that they have to be business people first and artists second. I have seen it time and again where the business promoter, and not the greatest artist, will outsell the "very good" artist everytime.

If an artist wants to survive in the current market they have to promote themselves, or find someone who will promote them. It has to be done!

on Sunday, November 18th, Ellen said

Very exciting and provocative site Calus! I also think you are right in that many artists don't know what to say; they feel that the work should "speak for itself." There is also an aspect of isolation in being an artist and often I'm not au currant with the world because I'm too involved with my own art world.
Barney- Yesterday, after I responded to your blog, I participated in a small art fair on Long Island. My sales were pitiful, but I practiced what you preached: I greeted happily almost every visitor to my space and expressed delight at being an artist. I radiated excitement and joy over each piece that was looked at. IT MADE ME FEEL GOOD! I also think my visitors felt good to meet me, too. Many people signed my guest book to be included in my mailing for a show in which I'm participating in Manhattan in January. THANKS A LOT!! IT WORKS!!

on Sunday, November 18th, claus & neuroart said

very very interesting!!! i agree with you & ellen. I think, also, that there is a kind of fear among many to "assume" an artist. They are not sure what to say when they don't have (read, heard) an " autorised " opinion from a very known art critic (even they are in the field). they learn!!! that Van Gogh is HUGE, but if you ask why they consider that....many times (not always) they have a problem..... They don't know what to count on just on their own, so they will try to consider it easy, so they will say "it is not a big deal".

on Saturday, November 17th, Ellen said

Thanks for this very valuable advice, Barney. It made me realize that I've been very much at fault when talking about my work with people who are not artists. When people comment to me how much "fun" I'm having when I create art, I usually try to describe the hard work and unending efforts to reach goals (that are usually unattainable for me). I do this in an effort to be taken seriously and give credibility to my work. I don't think people usually take "fun" jobs seriously. Or "art as a living type jobs" seriously. However, I realize that this form of communication (serious and possibly a downer) may be quite a turnoff. After reading your blog, I realized that I should shut up about doing the "hard" work and describe the art in positive terms (ie This painting incoporates my love of nature and the beauty I see when......and so on) ....and/or tell buyers or anyone else that creating art is a joyful experience. I don't know if that was your intent in writing this blog, but the blog sparked my decision to be more upbeat and "fun" to the world (outwardly at least). No one wants to hear about angst unless it is another artist or unless you are Van Gogh. Let you know what happens......