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Home » Archives » December 2005 » Literary and Art Book is a worthwhile venue for artist Exhibitions

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12/09/2005: "Literary and Art Book is a worthwhile venue for artist Exhibitions"


Art Expos of all types, and no matter where they are held, while seeming to benefit artists with displays of works, have in reality become the latest tool for individual art dealers and large corporate collectors to "TRADE" in the vast stores of printed matter in which they are so heavily invested over the last 40 or so years and which fill their store rooms and look alike galleries throughout the world.

There is no excitement for the artists in any of this as the work was sold so long ago by dealers to dealers to collectors and patrons and back to dealers again and there is no money available anywhere for any artist.


We have been pioneers in the print business having had published many editions of original signed and numbered lithographs over the last 30 years and large editions of print reproductions of original paintings and serigraph editions as well. We have shown and had booths and presented in our own booths and those of various dealers and galleries and been in many and various expos over the years all over the world including the Brussel World Fair, and the story is always the same. Dealers refreshing their larders by trading down or up with existing stocks and with nary a cent in sight. The costs of this luxurious display are exorbitant.

Until of course the last days when the public is usually allowed and they come armed to fill their arms and walls with whatever they can get their hands on. There is the perk. The FINAL EXPOSURE. The "getting rid of the last of that artist's prints" thank god, and for the artist who has taken a booth, a cleansing of inventory, time to make more art.

The same thing holds true for the trade fair that is Book Expo. Naturally when we launched our publishing business Sable Publishing we envisioned a huge booth and loads of book signings for our select authors.

Father and Child, Original Lithograph, signed and numbered by Hyacinthe Kuller Baron issued in early 1970's and shown in the film "Secretary" in 2004.



As veterans of expos and after attending the Book Expo in LA we were horrified at the "feeding frenzy" of book store owners filling empty suitcases with signed copies of the newest books and for FREE! Give away enough books and you have a best seller.

Publishers can do that, give books away that is, to libraries, bookstores, art supply stores, gift shops, art patrons, collectors. The list goes on. The venues are unique and varied and can be accompanied by actual exhibits of works. A book is, after all, relatively inexpensive compared to a work of art. A book therefore becomes the most excellent purview for exposure for an artist.

Book cover design and original painting by Hyacinthe Kuller Baron

Many of my original paintings grace the covers of published books, creating a lasting gallery exhibition being shown in many and varied venues.



That is of course the thinking behind the ART and HUMAN NATURE COLLECTION, A Literary and Art Book. It is a permanent record of an artist's exhibition. This book will be available at all times on the internet at booksellers like Barnes and Noble and any artist can always arrange a book signing and art show at any book store or gift store or restaurant and the books can be ordered by the venue directly from the small publisher.

We cannot urge artists strongly enough to consider being published in a book like the annual Art and Human Nature Collection. We figured it out, and dollar for dollar, this is one of the best ways for an artist to gain needed exposure at minimal expense. The book contains biographical material, artist's statements and direct links.




Join a world wide roster of artists who have already signed on to make this annual book collection a treasured exhibition for art lovers, collectors and art patrons.

The date to submit to be invited to contribute your work has been extended to January 23, 2006. If you haven't looked into this opportunity you will find details on www.barongallery.com.




Works in progress, oil paintings on canvas in studio, by Hyacinthe Kuller Baron

The Ice Priest Sculpture and Hyacinthe Kuller Baron on a label for the CD In Search of Ancient Spirit, the 15 film documentary of an artistic journey.

We look forward to seeing you at the book signing during the opening art event at the Spring Series March 17-24th AWE ART WORKSHOP EXPERIENCES RETREAT at the Baron Conservancy in 2006.

A $250.00 prize is offered and a 5% discount is offered to wwar.com and absolutearts.com portfolio artists as well as assistance awards for the Art and Human Nature Collection and other art projects being developed at the Baron Conservancy.

Any input, contribution, ideas are welcome. Please contact me at hyacinthe@barongallery.com.




Replies: 9 Comments

on Monday, December 26th, David G. Wilson said

Ms. Baron, as much as I wholehartedly agree with you with regards your assessment of art today, I am not surprised at the name of the artist that you picked to be your whipping boy, Jean Michel Basquiat. Well, the art elite wanted to show that they offered equal opportunity and they chose him. Personally, I don't care much for his work, but I am surely glad that he made it. It was overdue. Why didn't you use names like Cy Twombly, Richard Serra, Robert Rauchenberg or Jeff Koons (who was convicted of plagarism and commissions artisans to do his work). The works of these "artists", I know you feel, are equally repulsive. Too bad that you feel that Jean Michel Basquiat should not be chosen.

on Sunday, December 11th, Ed Baron said

Thank you Andrew:
We are looking forward to your contribution to the Art and Human Nature Collection.

To all of you who have submitted and are planning to do so we extend an invitation to visit us for the booksigning at the Baron Conservancy. So many of you that we have become acquainted with through absolutearts.com are welcome. What a time we could have. We have so many ideas for the canvas that is our desert site that will keep it pristine and yet allow us to temporarily impose art and functional sculptural structures.

We will be bringing you more of our ideas in future blogs and of course on our official website www.barongallery.com.

on Sunday, December 11th, Hyacinthe Baron said

Here is the story about blogging. It is a way to have the idiots of the world reveal themselves to the amusement of the rest of us who are busy going about the business of their art practices and their lives.

Charles James the great dress designer whose clients included Mrs. William Randolph Hearst and other doyennes of good taste and fashion, and a mentor and good friend of mine said it quite clearly while we were having coffee at the Chelsea Hotel with Dr. Timothy Leary: "Tim, Hyacinthe and I are just too busy to bother with your stuff and nonsense."

If it were not for the statistics and the knowledge we have of the large numbers of silent viewers we know read these blogs on absolutearts.com which Markus and Jodi so generously provide at no charge by the way, the senseless and no doubt useless statements and comments made by those who prefer not to identify themselves would be totally annoying and indicative of a problem among immature individuals, a lack of respect for others accomplishments and willingness to share.

However in a spirit of true democratic right to expression we will persist in our blogging and reaching those who understand and respond in kind and to the many of you out there, thanks.

on Sunday, December 11th, astro said

geez, with a comment like that no wonder you wish for me to go away.

Imitating (emulate) greatness is the first step towards being creative? ha ha... Having a clue is the first step in knowing!

on Sunday, December 11th, Geez... said

Astro - don't even pretend to know how many paintings I have from so many excellent painters of today's generation. Without the ('plagiaristic') prints of the masters, there would be no art education - no desire to emulate greatness - which is the first step towards being a creative. Catch you in another blog - others might have something of significance to take up space here.

on Sunday, December 11th, astro said

geez, so many good painters in this world and you have to support plagiarism?

on Saturday, December 10th, Geez said

astro, can you afford a V. van Gogh?

on Saturday, December 10th, astro said

Prints suck.
They are for people that can't afford paintings.

on Saturday, December 10th, Andrew said

Any opportunity has to be evaluated as to whether it's worthwile or not. One has to assess if what's being offered is really an opportunity for the artist, or for the people proposing it. In the worst case scenario, it's a rip off, with the proposer being rewarded, and the proposee paying and not getting anything in return. In the best case possible, both parties benefit, win-win as they say.
We're often worried about whether to jump into something or not, and that fear keeps many of us motionless when someone makes some kind of a proposal and calls it an opportunity.
Any time you are published, anywhere, it's a gold mine. It is a seed you plant that continues growing for you without water, weeding, fertilizer, or effort. More people see your work every day, and unless the rest of the book is full of losers, you won't be one. The key to avoiding this pitfall is to know there's a screening process, and bingo, there is one here.
I can't speak for the rest of you, but I'm in.