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Home » Archives » August 2004 » Great Art

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08/18/2004: "Great Art" by Brad Michael Moore


Great art lives by its own rules and timelines, which hardly ever favor the artist who creates it. There's an unspoken quality in great art that you can sense in both past grand masters and everyone leading up to today's most contemporary leaders in their mediums. If art speaks beyond the times of its creator - it may be great. I don't rely on some else's opinion, though, to tell me what art is superior or not. That's kind of like assuming your children's school can teach your kids about sex better than you can for they have the materials of so many studies. To me, anyone who can handle their own intellect alongside of their soul and express a balanced rendition of their uniqueness married between the two - I believe I can recognize that level of variable clarity. That's how I judge another's art to residing in the neighborhood of a higher level.

"Well said Brad. Could you speak a little more about the balance of intellect and soul? Whether we're speaking of art or just living. I think this is an important issue." - Walter King


Walt, I don't think I can separate the two - creating art or just living creatively. Making art that is universal must come from a connectiveness binding the truth of one's spirit to the realization of potential from one's mind that is trained earnestly and effected to be fruitful. Our ideas are our legacy and living to see them manifest in any shape is an artform if you make it so. 'Creatives' endeavor in all walks of life and achieve imaginatively in all manner of course. Some could argue Winston Churchill was an artist who left a free world as his legacy byways of a grant from the national endowment of the good ol' USA. While I create art and live a life conducive to its production, I have come to recognize inventiveness as a potential in us all that comes about almost intuitively as we nourish the wisdom of our years (and our peers) and apply it to our interests and concentrations. Is there a qualified difference between a great painter, illustrator, or architect? Can a politician, or a teacher, or a craftsman of any venue not have the same common respects for nature shared between them but expressed by each his own hand? If I were to meet any of these, or all of them together - would we not find thoughts in common? As an artist, I compare my works with the deeds of others on a level of equivalent standing - no matter what their passion and/or how their contribution to humankind forms to be. While it is also true that Churchill was a painter - you'll likely never find his work of oil and canvas in many an art history textbook. You will find Pablo Picasso and his works derived from the treachery of a war known to each man... Both men were creative conduits to humankind with their journeyed expectations and productions brought about from the trials of their era. To this end, we too have our work to do - be we makers of peace, poetry, or photography - purveyors of ideology or investigators of any 'ology'. To be a maker of great art you must be able to reach into the great discourse of present life and recognize that the depth of your work is directly linked to your soul and the souls of others who share in the seeking of answers to the questions of our time. These answers are the ones we must all be artists to arrest and display to future generations. It will then be up to them to decide the greatness of these things we do today. The legacies we give for the legacies we receive. History always repeats itself - of that, we can be sure - the rest we must invent. - ©2004BMM

Replies: 6 Comments

on Friday, August 20th, Azhar Shemdin said

I agree with Brad's eloquent description of creativity. I would like to add that an artist who early on in his/or her life pursues the truth in whatever one sees, says and does, will eventually become independent of the mesmerizing and deluding trends in the commercial and political scenes that are driven by others'agendas. Clarity of vision is the gift given to truth seekers. It is individual to the core, and thus, pure and unaffected by outside influences.

on Thursday, August 19th, Brad Michael Moore said

Thanks for these first comments. Perhaps good questions are the facets most important to the uses of our art which must be thrown towards the answers begging from our aspirations. It's gotta be a journey of the soul that drives us to achieve that which our perceptions share to us. I think Walt & I have lately considered the soul work connection as a possible partner to the intellect in the creative process. I do know that it is good to have these kinds on conversations – we need to better understand our motivations and their reckonings.

on Thursday, August 19th, tnyharding@aol.com">tony harding said

I wish to God & whovever that this man-vain attachment to finding 'answers' could be annuled forever from our aspirations - for me the real problem is how to find the good questions.

on Thursday, August 19th, Sandy said

An interesting read. Some of us are prepared to forsake our material gains for the meaning of our art. This can also be veiwed as a journey of the soul. Casting aside fashions and trivial material gain allows us to go deeper into who we are, not only as people but as creators.

on Wednesday, August 18th, Lois Roberts said

Glad to know work in peace and politics is adding not subtracting from the message of artists, some people might call it soul work.

on Wednesday, August 18th, Walter King said

I'll say it again- Well said Brad.